So you’re into love poems. We totally get it. As human beings cursed with the ability to overthink every detail, we feel compelled to express our emotions. And what better way to do that than by making a poem about love?
The problem is, not everyone is blessed with the ability to let go and put their thoughts on paper or really feels like writing a romantic poem in the first place, so we end up reading what others wrote before us. There’s something about love poetry that can really capture your attention — the way each word is weighted with meaning and drips off like liquid gold, how it all comes together to create something that’s just… perfect and relatable.
But let’s be honest: you rarely have time for a long poem. You want to consume a quick fix of romance that makes your heart ache in all the right ways. And some authors did a damn good job describing the sensation of love. Guess what? We collected all the best poems in a comprehensive list! So here are some short love poems that are guaranteed to be perfect little bits of literary candy for your brain and will make you want to find that special person to say, “I love you” — in case you haven’t met them yet.
#81
“Love” by Samuel Taylor Coleridge
All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.
Oft in my waking dreams do I
Live o’er again that happy hour,
When midway on the mount I lay,
Beside the ruined tower.
Live o’er again that happy hour,
When midway on the mount I lay,
Beside the ruined tower.
The moonshine, stealing o’er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!
She leant against the arm{‘e}d man,
The statue of the arm{‘e}d knight;
She stood and listened to my lay,
Amid the lingering light.
The statue of the arm{‘e}d knight;
She stood and listened to my lay,
Amid the lingering light.
Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best, whene’er I sing
The songs that make her grieve.
My hope! my joy! my Genevieve!
She loves me best, whene’er I sing
The songs that make her grieve.
I played a soft and doleful air,
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.
She listened with a flitting blush,
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.
I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he wooed
The Lady of the Land.
Upon his shield a burning brand;
And that for ten long years he wooed
The Lady of the Land.
I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another’s love,
Interpreted my own.
The deep, the low, the pleading tone
With which I sang another’s love,
Interpreted my own.
She listened with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!
But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he crossed the mountain-woods,
Nor rested day nor night;
That crazed that bold and lovely Knight,
And that he crossed the mountain-woods,
Nor rested day nor night;
That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade,—
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade,—
There came and looked him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!
And that unknowing what he did,
He leaped amid a murderous band,
And saved from outrage worse than death
The Lady of the Land!
He leaped amid a murderous band,
And saved from outrage worse than death
The Lady of the Land!
And how she wept, and clasped his knees;
And how she tended him in vain—
And ever strove to expiate
The scorn that crazed his brain;—
And how she tended him in vain—
And ever strove to expiate
The scorn that crazed his brain;—
And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay;—
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay;—
His dying words—but when I reached
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her soul with pity!
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her soul with pity!
All impulses of soul and sense
Had thrilled my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;
Had thrilled my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;
And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherished long!
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherished long!
She wept with pity and delight,
She blushed with love, and virgin-shame;
And like the murmur of a dream,
I heard her breathe my name.
She blushed with love, and virgin-shame;
And like the murmur of a dream,
I heard her breathe my name.
Her bosom heaved—she stepped aside,
As conscious of my look she stepped—
Then suddenly, with timorous eye
She fled to me and wept.
As conscious of my look she stepped—
Then suddenly, with timorous eye
She fled to me and wept.
She half enclosed me with her arms,
She pressed me with a meek embrace;
And bending back her head, looked up,
And gazed upon my face.
She pressed me with a meek embrace;
And bending back her head, looked up,
And gazed upon my face.
‘Twas partly love, and partly fear,
And partly ’twas a bashful art,
That I might rather feel, than see,
The swelling of her heart.
And partly ’twas a bashful art,
That I might rather feel, than see,
The swelling of her heart.
I calmed her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.
Unknown
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#82
“Annabell Lee” by Edgar Allan Poe
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love–
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
In this kingdom by the sea:
But we loved with a love that was more than love–
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me–
Yes!–that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
Went envying her and me–
Yes!–that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we–
Of many far wiser than we–
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
Of those who were older than we–
Of many far wiser than we–
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling–my darling–my life and my bride,
In her sepulchre there by the sea,
In her tomb by the sounding sea.
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling–my darling–my life and my bride,
In her sepulchre there by the sea,
In her tomb by the sounding sea.
Unknown
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#83
“I Wanna Be Yours…” by John Cooper Clarke
I wanna be your vacuum cleaner
breathing in your dust
I wanna be your Ford Cortina
I will never rust
If you like your coffee hot
let me be your coffee pot
You call the shots
I wanna be yours
breathing in your dust
I wanna be your Ford Cortina
I will never rust
If you like your coffee hot
let me be your coffee pot
You call the shots
I wanna be yours
I wanna be your raincoat
for those frequent rainy days
I wanna be your dreamboat
when you want to sail away
Let me be your teddy bear
take me with you anywhere
I don’t care
I wanna be yours
for those frequent rainy days
I wanna be your dreamboat
when you want to sail away
Let me be your teddy bear
take me with you anywhere
I don’t care
I wanna be yours
I wanna be your electric meter
I will not run out
I wanna be the electric heater
you’ll get cold without
I wanna be your setting lotion
hold your hair in deep devotion
Deep as the deep Atlantic ocean
that’s how deep is my devotion
I will not run out
I wanna be the electric heater
you’ll get cold without
I wanna be your setting lotion
hold your hair in deep devotion
Deep as the deep Atlantic ocean
that’s how deep is my devotion
Unknown
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#84
"Sylvia" by Sir George Etherege
The Nymph that undoes me, is fair and unkind;
No less than a wonder by Nature designed.
She’s the grief of my heart, the joy of my eye;
And the cause of a flame that never can die !
No less than a wonder by Nature designed.
She’s the grief of my heart, the joy of my eye;
And the cause of a flame that never can die !
Her mouth, from whence wit still obligingly flows,
Has the beautiful blush, and the smell, of the rose.
Love and Destiny both attend on her will;
She wounds with a look; with a frown, she can kill!
Has the beautiful blush, and the smell, of the rose.
Love and Destiny both attend on her will;
She wounds with a look; with a frown, she can kill!
The desperate Lover can hope no redress;
Where Beauty and Rigour are both in excess!
In Sylvia they meet; so unhappy am I !
Who sees her, must love; and who loves her, must die!
Where Beauty and Rigour are both in excess!
In Sylvia they meet; so unhappy am I !
Who sees her, must love; and who loves her, must die!
Unknown
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#85
"Beautiful Signor" by Cyrus Cassells
Whenever we wake,
still joined, enraptured—
at the window,
each clear night's finish
the black pulse of dominoes
dropping to land;
still joined, enraptured—
at the window,
each clear night's finish
the black pulse of dominoes
dropping to land;
whenever we embrace,
haunted, upwelling,
I know
a reunion is taking place—
haunted, upwelling,
I know
a reunion is taking place—
Hear me when I say
our love's not meant to be
an opiate;
helpmate,
you are the reachable mirror
that dares me to risk
the caravan back
to the apogee, the longed-for
arms of the Beloved—
our love's not meant to be
an opiate;
helpmate,
you are the reachable mirror
that dares me to risk
the caravan back
to the apogee, the longed-for
arms of the Beloved—
Dusks of paperwhites,
dusks of jasmine,
intimate beyond belief
dusks of jasmine,
intimate beyond belief
beautiful Signor
no dread of nakedness
beautiful Signor
my long ship,
my opulence,
my garland
my opulence,
my garland
beautiful Signor
extinguishing the beggar's tin,
the wind of longing
the wind of longing
beautiful Signor
laving the ruined country,
the heart wedded to war
the heart wedded to war
beautiful Signor
the kiln-blaze
in my body,
the turning heaven
in my body,
the turning heaven
beautiful Signor
you cover me with pollen
beautiful Signor
into your sweet mouth—
This is the taproot:
against all strictures,
desecrations,
I'll never renounce,
never relinquish
the first radiance, the first
moment you took my hand—
against all strictures,
desecrations,
I'll never renounce,
never relinquish
the first radiance, the first
moment you took my hand—
This is the endless wanderlust:
dervish,
yours is the April-upon-April love
that kept me spinning even beyond
your eventful arms
toward the unsurpassed:
dervish,
yours is the April-upon-April love
that kept me spinning even beyond
your eventful arms
toward the unsurpassed:
the one vast claiming heart,
the glimmering,
the beautiful and revealed Signor.
the glimmering,
the beautiful and revealed Signor.
Unknown
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#86
"Lines Depicting Simple Happiness" by Peter Gizzi
The shine on her buckle took precedence in sun
Her shine, I should say, could take me anywhere
It feels right to be up this close in tight wind
It feels right to notice all the shiny things about you
About you there is nothing I wouldn’t want to know
With you nothing is simple yet nothing is simpler
About you many good things come into relation
I think of proofs and grammar, vowel sounds, like
A is for knee socks, E for panties
I is for buttondown, O the blouse you wear
U is for hair clip, and Y your tight skirt
The music picks up again, I am the man I hope to be
The bright air hangs freely near your newly cut hair
It is so easy now to see gravity at work in your face
Easy to understand time, that dark process
To accept it as a beautiful process, your face
Her shine, I should say, could take me anywhere
It feels right to be up this close in tight wind
It feels right to notice all the shiny things about you
About you there is nothing I wouldn’t want to know
With you nothing is simple yet nothing is simpler
About you many good things come into relation
I think of proofs and grammar, vowel sounds, like
A is for knee socks, E for panties
I is for buttondown, O the blouse you wear
U is for hair clip, and Y your tight skirt
The music picks up again, I am the man I hope to be
The bright air hangs freely near your newly cut hair
It is so easy now to see gravity at work in your face
Easy to understand time, that dark process
To accept it as a beautiful process, your face
Unknown
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#87
"Poem To An Unnameable Man" by Dorothea Lasky
You have changed me already. I am a fireball
That is hurtling towards the sky to where you are
You can choose not to look up but I am a giant orange ball
That is throwing sparks upon your face
Oh look at them shake
Upon you like a great planet that has been murdered by change
O too this is so dramatic this shaking
Of my great planet that is bigger than you thought it would be
So you ran and hid
Under a large tree. She was graceful, I think
That tree although soon she will wither
Into ten black snakes upon your throat
And when she does I will be wandering as I always am
A graceful lady that is part museum
Of the voices of the universe everyone else forgets
I will hold your voice in a little box
And when you come upon me I won’t look back at you
You will feel a hand upon your heart while I place your voice back
Into the heart from where it came from
And I will not cry also
Although you will expect me to
I was wiser too than you had expected
For I knew all along you were mine
That is hurtling towards the sky to where you are
You can choose not to look up but I am a giant orange ball
That is throwing sparks upon your face
Oh look at them shake
Upon you like a great planet that has been murdered by change
O too this is so dramatic this shaking
Of my great planet that is bigger than you thought it would be
So you ran and hid
Under a large tree. She was graceful, I think
That tree although soon she will wither
Into ten black snakes upon your throat
And when she does I will be wandering as I always am
A graceful lady that is part museum
Of the voices of the universe everyone else forgets
I will hold your voice in a little box
And when you come upon me I won’t look back at you
You will feel a hand upon your heart while I place your voice back
Into the heart from where it came from
And I will not cry also
Although you will expect me to
I was wiser too than you had expected
For I knew all along you were mine
Unknown
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#88
"Movement Song" by Audre Lorde
I have studied the tight curls on the back of your neck
moving away from me
beyond anger or failure
your face in the evening schools of longing
through mornings of wish and ripen
we were always saying goodbye
in the blood in the bone over coffee
before dashing for elevators going
in opposite directions
without goodbyes.
moving away from me
beyond anger or failure
your face in the evening schools of longing
through mornings of wish and ripen
we were always saying goodbye
in the blood in the bone over coffee
before dashing for elevators going
in opposite directions
without goodbyes.
Do not remember me as a bridge nor a roof
as the maker of legends
nor as a trap
door to that world
where black and white clericals
hang on the edge of beauty in five oclock elevators
twitching their shoulders to avoid other flesh
and now
there is someone to speak for them
moving away from me into tomorrows
morning of wish and ripen
your goodbye is a promise of lightning
in the last angels hand
unwelcome and warning
the sands have run out against us
we were rewarded by journeys
away from each other
into desire
into mornings alone
where excuse and endurance mingle
conceiving decision.
Do not remember me
as disaster
nor as the keeper of secrets
I am a fellow rider in the cattle cars
watching
you move slowly out of my bed
saying we cannot waste time
only ourselves.
as the maker of legends
nor as a trap
door to that world
where black and white clericals
hang on the edge of beauty in five oclock elevators
twitching their shoulders to avoid other flesh
and now
there is someone to speak for them
moving away from me into tomorrows
morning of wish and ripen
your goodbye is a promise of lightning
in the last angels hand
unwelcome and warning
the sands have run out against us
we were rewarded by journeys
away from each other
into desire
into mornings alone
where excuse and endurance mingle
conceiving decision.
Do not remember me
as disaster
nor as the keeper of secrets
I am a fellow rider in the cattle cars
watching
you move slowly out of my bed
saying we cannot waste time
only ourselves.
Unknown
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#89
“Love Is Not A Word” by Riyas Qurana
I am a forest
When I smile,
It goes near the pond
And is growing as a mountain
When I smile,
It goes near the pond
And is growing as a mountain
If I wink
It becomes a whirlwind
Falling hairs swept away by waves
As streams and rivers
And the eyes bouncing in them
Multiply as fish.
It becomes a whirlwind
Falling hairs swept away by waves
As streams and rivers
And the eyes bouncing in them
Multiply as fish.
Imagination makes the mind
Flying non -stop only with wings
Without the bird
As the forest shakes with the tireless
Cry of the peace (silence?)
Flying non -stop only with wings
Without the bird
As the forest shakes with the tireless
Cry of the peace (silence?)
Amidst all this
I keep a falling flower in the mid-air
Not to fall on the earth
I keep a falling flower in the mid-air
Not to fall on the earth
Is it not up to you who search for it
To come and sit on it
And make love?
To come and sit on it
And make love?
Don't forget to bring the word
Darling
When you come.
Darling
When you come.
Unknown
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#90
"poem I wrote sitting across the table from you" by Kevin Varrone
if I had two nickels to rub together
I would rub them together
I would rub them together
like a kid rubs sticks together
until friction made combustion
until friction made combustion
and they burned
a hole in my pocket
a hole in my pocket
into which I would put my hand
and then my arm
and then my arm
and eventually my whole self--
I would fold myself
I would fold myself
into the hole in my pocket and disappear
into the pocket of myself, or at least my pants
into the pocket of myself, or at least my pants
but before I did
like some ancient star
like some ancient star
I'd grab your hand
Unknown
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#91
"To You" by Kenneth Koch
I love you as a sheriff searches for a walnut
That will solve a murder case unsolved for years
Because the murderer left it in the snow beside a window
Through which he saw her head, connecting with
Her shoulders by a neck, and laid a red
Roof in her heart. For this we live a thousand years;
For this we love, and we live because we love, we are not
Inside a bottle, thank goodness! I love you as a
Kid searches for a goat; I am crazier than shirttails
In the wind, when you’re near, a wind that blows from
The big blue sea, so shiny so deep and so unlike us;
I think I am bicycling across an Africa of green and white fields
Always, to be near you, even in my heart
When I’m awake, which swims, and also I believe that you
Are trustworthy as the sidewalk which leads me to
The place where I again think of you, a new
Harmony of thoughts! I love you as the sunlight leads the prow
Of a ship which sails
From Hartford to Miami, and I love you
Best at dawn, when even before I am awake the sun
Receives me in the questions which you always pose.
That will solve a murder case unsolved for years
Because the murderer left it in the snow beside a window
Through which he saw her head, connecting with
Her shoulders by a neck, and laid a red
Roof in her heart. For this we live a thousand years;
For this we love, and we live because we love, we are not
Inside a bottle, thank goodness! I love you as a
Kid searches for a goat; I am crazier than shirttails
In the wind, when you’re near, a wind that blows from
The big blue sea, so shiny so deep and so unlike us;
I think I am bicycling across an Africa of green and white fields
Always, to be near you, even in my heart
When I’m awake, which swims, and also I believe that you
Are trustworthy as the sidewalk which leads me to
The place where I again think of you, a new
Harmony of thoughts! I love you as the sunlight leads the prow
Of a ship which sails
From Hartford to Miami, and I love you
Best at dawn, when even before I am awake the sun
Receives me in the questions which you always pose.
Unknown
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#92
“A Red, Red Rose” by Robert Burns
O my luve’s like a red, red rose,
That’s newly sprung in June;
O my luve’s like the melodie
That’s sweetly played in tune.
That’s newly sprung in June;
O my luve’s like the melodie
That’s sweetly played in tune.
As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun:
O I will love thee still, my dear,
While the sands o’ life shall run.
And the rocks melt wi’ the sun:
O I will love thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
Unknown
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#93
"Poem to First Love" by Matthew Yeager
To have been told “I love you” by you could well be, for me,
the highlight of my life, the best feeling, the best peak
on my feeling graph, in the way that the Chrysler building
might not be the tallest building in the NY sky but is
the best, the most exquisitely spired, or the way that
Hank Aaron’s career home-run total is not the highest
but the best, the one that signifies the purest greatness.
So improbable! To have met you at all and then
to have been told in your soft young voice so soon
after meeting you: “I love you.” And I felt the mystery
of being that you, of being a you and being
loved, and what I was, instantly, was someone
who could be told “I love you” by someone like you.
I was, in that moment, new; you were 19; I was 22;
you were impulsive; I was there in front of you, with a future
that hadn’t yet been burned for fuel; I had energy;
you had beauty; and your eyes were a pale blue,
and they backed what you said with all they hadn’t seen,
and they were the least ambitious eyes I’d known,
the least calculating, and when you spoke and when
they shone, perhaps you saw the feeling you caused.
Perhaps you saw too that the feeling would stay.
the highlight of my life, the best feeling, the best peak
on my feeling graph, in the way that the Chrysler building
might not be the tallest building in the NY sky but is
the best, the most exquisitely spired, or the way that
Hank Aaron’s career home-run total is not the highest
but the best, the one that signifies the purest greatness.
So improbable! To have met you at all and then
to have been told in your soft young voice so soon
after meeting you: “I love you.” And I felt the mystery
of being that you, of being a you and being
loved, and what I was, instantly, was someone
who could be told “I love you” by someone like you.
I was, in that moment, new; you were 19; I was 22;
you were impulsive; I was there in front of you, with a future
that hadn’t yet been burned for fuel; I had energy;
you had beauty; and your eyes were a pale blue,
and they backed what you said with all they hadn’t seen,
and they were the least ambitious eyes I’d known,
the least calculating, and when you spoke and when
they shone, perhaps you saw the feeling you caused.
Perhaps you saw too that the feeling would stay.
Unknown
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#94
"The More Loving One" by W.H. Auden
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
Unknown
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#95
"The Love Poem" by Carol Ann Duffy
Till love exhausts itself, longs
for the sleep of words -
my mistress' eyes -
to lie on a white sheet, at rest
in the language -
let me count the ways -
or shrink to a phrase like an epitaph -
come live
with me -
or fall from its own high cloud as syllables
in a pool of verse -
one hour with thee.
for the sleep of words -
my mistress' eyes -
to lie on a white sheet, at rest
in the language -
let me count the ways -
or shrink to a phrase like an epitaph -
come live
with me -
or fall from its own high cloud as syllables
in a pool of verse -
one hour with thee.
Till love gives in and speaks
in the whisper of art -
dear heart,
how like you this? -
love's lips pursed to quotation marks
kissing a line -
look in thy heart
and write -
love's light fading, darkening,
black as ink on a page -
there is a garden
in her face.
in the whisper of art -
dear heart,
how like you this? -
love's lips pursed to quotation marks
kissing a line -
look in thy heart
and write -
love's light fading, darkening,
black as ink on a page -
there is a garden
in her face.
Till love is all in the mind -
O my America!
my new-found land -
or all in the pen
in the writer's hand -
behold, thou art fair -
not there, except in a poem,
known by heart like a prayer,
both near and far,
near and far -
the desire of the moth
for the star.
O my America!
my new-found land -
or all in the pen
in the writer's hand -
behold, thou art fair -
not there, except in a poem,
known by heart like a prayer,
both near and far,
near and far -
the desire of the moth
for the star.
Unknown
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#96
"Before You Came" by Faiz Ahmed Faiz
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here—
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
Unknown
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#97
"Dear One Absent This Long While" by Lisa Olstein
It has been so wet stones glaze in moss;
everything blooms coldly.
everything blooms coldly.
I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs,
at the base of the drive, you at the foot of the stairs,
you in a shiver of light, but each time
leaves in wind revealed themselves,
leaves in wind revealed themselves,
the retreating shadow of a fox, daybreak.
We expect you, cat and I, bluebirds and I, the stove.
We expect you, cat and I, bluebirds and I, the stove.
In May we dreamed of wreaths burning on bonfires
over which young men and women leapt.
over which young men and women leapt.
June efforts quietly.
I’ve planted vegetables along each garden wall
I’ve planted vegetables along each garden wall
so even if spring continues to disappoint
we can say at least the lettuce loved the rain.
we can say at least the lettuce loved the rain.
I have new gloves and a new hoe.
I practice eulogies. He was a hawk
I practice eulogies. He was a hawk
with white feathered legs. She had the quiet ribs
of a salamander crossing the old pony post road.
of a salamander crossing the old pony post road.
Yours is the name the leaves chatter
at the edge of the unrabbited woods.
at the edge of the unrabbited woods.
Unknown
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#98
"Romantics" by Lisel Mueller
The modern biographers worry
“how far it went,” their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth-century, how a hand
held overlong or a gaze anchored
in someone’s eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.
“how far it went,” their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth-century, how a hand
held overlong or a gaze anchored
in someone’s eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.
Unknown
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#99
"Valentine" by Carol Ann Duffy
Not a red rose or a satin heart.
I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or a kissogram.
I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Take it.
Its platinum loops shrink to a wedding ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.
Its platinum loops shrink to a wedding ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.
Unknown
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#100
"Atlas" by U.A. Fanthorpe
There is a kind of love called maintenance
Which stores the WD40 and knows when to use it;
Which stores the WD40 and knows when to use it;
Which checks the insurance, and doesn’t forget
The milkman; which remembers to plant bulbs;
The milkman; which remembers to plant bulbs;
Which answers letters; which knows the way
The money goes; which deals with dentists
The money goes; which deals with dentists
And Road Fund Tax and meeting trains,
And postcards to the lonely; which upholds
And postcards to the lonely; which upholds
The permanently rickety elaborate
Structures of living, which is Atlas.
Structures of living, which is Atlas.
And maintenance is the sensible side of love,
Which knows what time and weather are doing
To my brickwork; insulates my faulty wiring;
Laughs at my dryrotten jokes; remembers
My need for gloss and grouting; which keeps
My suspect edifice upright in air,
As Atlas did the sky.
Which knows what time and weather are doing
To my brickwork; insulates my faulty wiring;
Laughs at my dryrotten jokes; remembers
My need for gloss and grouting; which keeps
My suspect edifice upright in air,
As Atlas did the sky.
Unknown
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