So you’re into love poems. We totally get it. As human beings cursed with the ability to overthink every detail, we feel compelled to express our emotions. And what better way to do that than by making a poem about love?
The problem is, not everyone is blessed with the ability to let go and put their thoughts on paper or really feels like writing a romantic poem in the first place, so we end up reading what others wrote before us. There’s something about love poetry that can really capture your attention — the way each word is weighted with meaning and drips off like liquid gold, how it all comes together to create something that’s just… perfect and relatable.
But let’s be honest: you rarely have time for a long poem. You want to consume a quick fix of romance that makes your heart ache in all the right ways. And some authors did a damn good job describing the sensation of love. Guess what? We collected all the best poems in a comprehensive list! So here are some short love poems that are guaranteed to be perfect little bits of literary candy for your brain and will make you want to find that special person to say, “I love you” — in case you haven’t met them yet.
#61
"Air and Angels" by John Donne
Twice or thrice had I lov'd thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.
Before I knew thy face or name;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.
Whilst thus to ballast love I thought,
And so more steadily to have gone,
With wares which would sink admiration,
I saw I had love's pinnace overfraught;
Ev'ry thy hair for love to work upon
Is much too much, some fitter must be sought;
For, nor in nothing, nor in things
Extreme, and scatt'ring bright, can love inhere;
Then, as an angel, face, and wings
Of air, not pure as it, yet pure, doth wear,
So thy love may be my love's sphere;
Just such disparity
As is 'twixt air and angels' purity,
'Twixt women's love, and men's, will ever be.
And so more steadily to have gone,
With wares which would sink admiration,
I saw I had love's pinnace overfraught;
Ev'ry thy hair for love to work upon
Is much too much, some fitter must be sought;
For, nor in nothing, nor in things
Extreme, and scatt'ring bright, can love inhere;
Then, as an angel, face, and wings
Of air, not pure as it, yet pure, doth wear,
So thy love may be my love's sphere;
Just such disparity
As is 'twixt air and angels' purity,
'Twixt women's love, and men's, will ever be.
Unknown
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#62
"Flirtation" by Rita Dove
After all, there’s no need
to say anything
to say anything
at first. An orange, peeled
and quartered, flares
and quartered, flares
like a tulip on a wedgewood plate
Anything can happen.
Anything can happen.
Outside the sun
has rolled up her rugs
has rolled up her rugs
and night strewn salt
across the sky. My heart
across the sky. My heart
is humming a tune
I haven’t heard in years!
I haven’t heard in years!
Quiet’s cool flesh—
let’s sniff and eat it.
let’s sniff and eat it.
There are ways
to make of the moment
to make of the moment
a topiary
so the pleasure’s in
so the pleasure’s in
walking through.
Unknown
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#63
"You Are the Penultimate Love of My Life" by Rebecca Hazelton
I want to spend a lot but not all of my years with you.
We’ll talk about kids
but make plans to travel.
I will remember your eyes
as green when they were gray.
Our dogs will be named For Now and Mostly.
Sex will be good but next door’s will sound better.
There will be small things.
I will pick up your damp towel from the bed,
and then I won’t.
I won’t be as hot as I was
when I wasn’t yours
and your hairline now so
untrustworthy.
When we pull up alongside a cattle car
and hear the frightened lows,
I will silently judge you
for not immediately renouncing meat.
You will bring me wine
and notice how much I drink.
The garden you plant and I plan
is tunneled through by voles,
the vowels
we speak aren’t vows,
but there’s something
holding me here, for now,
like your eyes, which I suppose
are brown, after all.
We’ll talk about kids
but make plans to travel.
I will remember your eyes
as green when they were gray.
Our dogs will be named For Now and Mostly.
Sex will be good but next door’s will sound better.
There will be small things.
I will pick up your damp towel from the bed,
and then I won’t.
I won’t be as hot as I was
when I wasn’t yours
and your hairline now so
untrustworthy.
When we pull up alongside a cattle car
and hear the frightened lows,
I will silently judge you
for not immediately renouncing meat.
You will bring me wine
and notice how much I drink.
The garden you plant and I plan
is tunneled through by voles,
the vowels
we speak aren’t vows,
but there’s something
holding me here, for now,
like your eyes, which I suppose
are brown, after all.
Unknown
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#64
"Poem for My Love" by June Jordan
How do we come to be here next to each other
in the night
Where are the stars that show us to our love
inevitable
Outside the leaves flame usual in darkness
and the rain
falls cool and blessed on the holy flesh
the black men waiting on the corner for
a womanly mirage
I am amazed by peace
It is this possibility of you
asleep
and breathing in the quiet air
in the night
Where are the stars that show us to our love
inevitable
Outside the leaves flame usual in darkness
and the rain
falls cool and blessed on the holy flesh
the black men waiting on the corner for
a womanly mirage
I am amazed by peace
It is this possibility of you
asleep
and breathing in the quiet air
Unknown
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#65
"Camomile Tea" by Katherine Mansfield
Outside the sky is light with stars;
There's a hollow roaring from the sea.
And, alas! for the little almond flowers,
The wind is shaking the almond tree.
There's a hollow roaring from the sea.
And, alas! for the little almond flowers,
The wind is shaking the almond tree.
How little I thought, a year ago,
In the horrible cottage upon the Lee
That he and I should be sitting so
And sipping a cup of camomile tea.
In the horrible cottage upon the Lee
That he and I should be sitting so
And sipping a cup of camomile tea.
Light as feathers the witches fly,
The horn of the moon is plain to see;
By a firefly under a jonquil flower
A goblin toasts a bumble-bee.
The horn of the moon is plain to see;
By a firefly under a jonquil flower
A goblin toasts a bumble-bee.
We might be fifty, we might be five,
So snug, so compact, so wise are we!
Under the kitchen-table leg
My knee is pressing against his knee.
So snug, so compact, so wise are we!
Under the kitchen-table leg
My knee is pressing against his knee.
Our shutters are shut, the fire is low,
The tap is dripping peacefully;
The saucepan shadows on the wall
Are black and round and plain to see.
The tap is dripping peacefully;
The saucepan shadows on the wall
Are black and round and plain to see.
Unknown
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#66
"Love Elegy in the Chinese Garden, with Koi" by Nathan McClain
Near the entrance, a patch of tall grass.
Near the tall grass, long-stemmed plants;
Near the tall grass, long-stemmed plants;
each bending an ear-shaped cone
to the pond’s surface. If you looked closely,
to the pond’s surface. If you looked closely,
you could make out silvery koi
swishing toward the clouded pond’s edge
swishing toward the clouded pond’s edge
where a boy tugs at his mother’s shirt for a quarter.
To buy fish feed. And watching that boy,
To buy fish feed. And watching that boy,
as he knelt down to let the koi kiss his palms,
I missed what it was to be so dumb
I missed what it was to be so dumb
as those koi. I like to think they’re pure,
that that’s why even after the boy’s palms were empty,
that that’s why even after the boy’s palms were empty,
after he had nothing else to give, they still kissed
his hands. Because who hasn’t done that—
his hands. Because who hasn’t done that—
loved so intently even after everything
has gone? Loved something that has washed
has gone? Loved something that has washed
its hands of you? I like to think I’m different now,
that I’m enlightened somehow,
that I’m enlightened somehow,
but who am I kidding? I know I’m like those koi,
still, with their popping mouths, that would kiss
still, with their popping mouths, that would kiss
those hands again if given the chance. So dumb.
Unknown
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#67
"Love Sonnet XI" by Pablo Neruda
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
Unknown
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#68
"Your Feet" by Pablo Neruda
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
Unknown
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#69
"Defeated by Love" by Rumi
The sky was lit
by the splendor of the moon
by the splendor of the moon
So powerful
I fell to the ground
I fell to the ground
Your love
has made me sure
has made me sure
I am ready to forsake
this worldly life
and surrender
to the magnificence
of your Bering
this worldly life
and surrender
to the magnificence
of your Bering
Unknown
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#70
"Let me not to the marriage of true minds" (Sonnet 116) by William Shakespeare
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me prov'd,
I never writ, nor no man ever lov'd.
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me prov'd,
I never writ, nor no man ever lov'd.
Unknown
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#71
"When I Too Long Have Looked Upon Your Face" by Edna St. Vincent Millay
When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.
Unknown
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#72
"Unending Love" by Rabindranath Tagore
I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, its age-old pain,
Its ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star piercing the darkness of time:
You become an image of what is remembered forever.
Its ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star piercing the darkness of time:
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played alongside millions of lovers, shared in the same
Shy sweetness of meeting, the same distressful tears of farewell-
Old love but in shapes that renew and renew forever.
At the heart of time, love of one for another.
We have played alongside millions of lovers, shared in the same
Shy sweetness of meeting, the same distressful tears of farewell-
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man’s days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours –
And the songs of every poet past and forever.
The love of all man’s days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours –
And the songs of every poet past and forever.
Unknown
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#73
"Any Lit" by Harriette Mullen
You are a ukulele beyond my microphone
You are a Yukon beyond my Micronesia
You are a union beyond my meiosis
You are a unicycle beyond my migration
You are a universe beyond my mitochondria
You are a Eucharist beyond my Miles Davis
You are a euphony beyond my myocardiogram
You are a unicorn beyond my Minotaur
You are a eureka beyond my maitai
You are a Yuletide beyond my minesweeper
You are a euphemism beyond my myna bird
You are a Yukon beyond my Micronesia
You are a union beyond my meiosis
You are a unicycle beyond my migration
You are a universe beyond my mitochondria
You are a Eucharist beyond my Miles Davis
You are a euphony beyond my myocardiogram
You are a unicorn beyond my Minotaur
You are a eureka beyond my maitai
You are a Yuletide beyond my minesweeper
You are a euphemism beyond my myna bird
Unknown
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#74
"Echo" by Carol Ann Duffy
I think I was searching for treasures or stones
in the clearest of pools
when your face…
in the clearest of pools
when your face…
when your face,
like the moon in a well
where I might wish…
like the moon in a well
where I might wish…
might well wish
for the iced fire of your kiss;
only on water my lips, where your face…
for the iced fire of your kiss;
only on water my lips, where your face…
where your face was reflected, lovely,
not really there when I turned
to look behind at the emptying air…
not really there when I turned
to look behind at the emptying air…
the emptying air.
Unknown
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#75
“Untitled” by Pavana
my wounds
don't feel
like wounds
in your hands.
they feel
like beginnings,
like a chance
to make things
right again.
don't feel
like wounds
in your hands.
they feel
like beginnings,
like a chance
to make things
right again.
Unknown
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#76
"Queen-Anne's Lace" by William Carlos Williams
Her body is not so white as
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.
Each flower is a hand's span
of her whiteness. Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.
Each flower is a hand's span
of her whiteness. Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.
Unknown
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#77
"Polarities" by Kenneth Slessor
SOMETIMES she is like sherry, like the sun through a vessel of glass,
Like light through an oriel window in a room of yellow wood;
Sometimes she is the colour of lions, of sand in the fire of noon,
Sometimes as bruised with shadows as the afternoon.
Sometimes she moves like rivers, sometimes like trees;
Or tranced and fixed like South Pole silences;
Sometimes she is beauty, sometimes fury, sometimes neither,
Sometimes nothing, drained of meaning, null as water.
Sometimes, when she makes pea-soup or plays me Schumann,
I love her one way; sometimes I love her another
More disturbing way when she opens her mouth in the dark;
Sometimes I like her with camellias, sometimes with a parsley-stalk,
Sometimes I like her swimming in a mirror on the wall;
Sometimes I don't like her at all.
Like light through an oriel window in a room of yellow wood;
Sometimes she is the colour of lions, of sand in the fire of noon,
Sometimes as bruised with shadows as the afternoon.
Sometimes she moves like rivers, sometimes like trees;
Or tranced and fixed like South Pole silences;
Sometimes she is beauty, sometimes fury, sometimes neither,
Sometimes nothing, drained of meaning, null as water.
Sometimes, when she makes pea-soup or plays me Schumann,
I love her one way; sometimes I love her another
More disturbing way when she opens her mouth in the dark;
Sometimes I like her with camellias, sometimes with a parsley-stalk,
Sometimes I like her swimming in a mirror on the wall;
Sometimes I don't like her at all.
Unknown
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#78
"The Good-Morrow" by John Donne
wonder by my troth, what thou and I
Did, till we loved? Were we not wean’d till then?
But suck’d on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
’Twas so; but this, all pleasures fancies be;
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.
Did, till we loved? Were we not wean’d till then?
But suck’d on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
’Twas so; but this, all pleasures fancies be;
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.
And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone;
Let maps to other, worlds on worlds have shown;
Let us possess one world; each hath one, and is one.
Which watch not one another out of fear;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone;
Let maps to other, worlds on worlds have shown;
Let us possess one world; each hath one, and is one.
My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres
Without sharp north, without declining west?
Whatever dies, was not mix’d equally;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die.
And true plain hearts do in the faces rest;
Where can we find two better hemispheres
Without sharp north, without declining west?
Whatever dies, was not mix’d equally;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die.
Unknown
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#79
"I Love You For What You Are" by Carl Sandberg
I love you for what you are, but I love you yet more for what you are going to be.
I love you not so much for your realities as for your ideals. I pray for your desires that they may be great, rather than for your satisfactions, which may be so hazardously little.
A satisfied flower is one whose petals are about to fall. The most beautiful rose is one hardly more than a bud wherein the pangs and ecstasies of desire are working for a larger and finer growth.
Not always shall you be what you are now.
You are going forward toward something great. I am on the way with you and therefore I love you.
Unknown
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#80
"Love Poem" by Audre Lorde
Speak earth and bless me with what is richest
make sky flow honey out of my hips
rigis mountains
spread over a valley
carved out by the mouth of rain.
make sky flow honey out of my hips
rigis mountains
spread over a valley
carved out by the mouth of rain.
And I knew when I entered her I was
high wind in her forests hollow
fingers whispering sound
honey flowed
from the split cup
impaled on a lance of tongues
on the tips of her breasts on her navel
and my breath
howling into her entrances
through lungs of pain.
high wind in her forests hollow
fingers whispering sound
honey flowed
from the split cup
impaled on a lance of tongues
on the tips of her breasts on her navel
and my breath
howling into her entrances
through lungs of pain.
Greedy as herring-gulls
or a child
I swing out over the earth
over and over
again.
or a child
I swing out over the earth
over and over
again.
Unknown
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