"In Indonesia I continued to improve my process, working very long hours, often through the night with a night lamp. My Airbnb hosted by Ketut was by the river, so I could listen to the frogs sing and river flow whilst making work. Now I live in Chiang Mai, Thailand and the people here are wonderful."
"At first it was hard to destroy the work when I had spent so many hours creating it. But the impermanence aspect of the site-specific work is important to me. I can make permanent pieces, but most of the work is not meant to last. It is ephemeral, like the seasons. I prefer the natural environment to remain natural, so I remove any indication of my presence when I leave the site and disperse the stones."
"Now it is second nature. It would seem odd to keep my artwork! I work in forests, on beaches and even in car parks! In Bangkok, I used a railway line, where there was an abundance of stones. I thoroughly enjoy each stage of the process, finding pebbles, planning the subject, locating the environment, making the art, photographing the outcome, and responding to my audience."
"It can be a lonely pursuit. I have been very lucky to have the support of wonderful friends and family whilst exploring Asia and making new work. My work's scale ranges from 1m² to 10m², can take between a few days and a few weeks, and requires absolute focus to complete. Sometimes it is like a meditation, at other times it can feel stressful! It depends on how well the stones are behaving, haha.”
