I Have Been Photographing Alps For 10 Years

Actually this turned out to be really a great night! No real climate problem (also thanks to the cozy bivouac). Anyhow I think that the title "Wuthering Heights" can offer really a good idea of what it means to be at 2.437 meters in front of the Argentera massif (Italy) whipped by strong winds and huge banks of clouds. An evening/night undoubtedly of great character and charm.
From left to right: Cima Sud Argentera (3.297 m), Cima Genova, Passo dei Detriti, Cima Paganini, Cima di Nasta, il Baus, Cima del Lago di Nasta, il Bastione, Colle di Bròcan, Cima di Bròcan.

This sunset didn't prove to be particularly striking on a matter of intensity of colors, in the sense that I've witnessed definitely more "burning" mountains here and there along the Alpine range... but, in its own way, in the sleepy atmosphere of the evening, it was able to offer a gorgeous palette of lovely soft colors all perfectly blended together, a kaleidoscopical vision I might say, which frankly I had not yet ever seen before.
This scenery shows the Cadini of Misurina and the southern faces of the Tre Cime di Lavaredo, Dolomites (Italy).
The refuge Fonda Savio (2.367 m) is also clearly visible, below, center image.

While I was waiting for a gorgeous sunset from beneath the Aiguilles d'Arves, France, a cow was wondering about the presence of my tent :-)

The simple oneiric beauty of a pale sun setting over an entirely frozen landscape.
Down you see the plate of the frozen lake.
Col du Mont Cenis (2.083 m), Savoie, France.

These are two ibexes I've met at 3.538 meters altitude, on the summit of Mount Rocciamelone, Susa Valley, Italy.
Unlike most wildlife shots I haven't used any telezoom here, a simple 55mm was enough, since I was two meters away from the mother, and... as you can see, she was really not in the mood to let me go near her cub... obviously I respected their privacy.
On the top left you can see part of the glacier below, at 3.200 m altitude.

One of those situations with a high rate of majesty mixed with minimalism that only high mountain can offer.
Here, literally, there isn't much of landscape :-) it is essentially a giant carpet of clouds stretching to the horizon. The only earthly presence is represented by the summit area of Punta Lunella (2.772 m), Val di Susa, Italy.
Shot taken at sunset from the summit of Mount Rocciamelone (3,538 meters/11,603 feet). Since we are looking towards the east, in the sky is perfectly visible the shadow cast by planet Earth in its own atmosphere (the blue band).

Here, under the imposing walls of the Tre Cime di Lavaredo (Drei Zinnen), some people had lit a big fire for the night... which, in due distance, filled with magic the entire landscape, somehow I've just felt to be back to the stone age :-)
The night light comes from the moon (73%, risen on the east at 9:05 pm), appearing and disappearing among thick clouds.

Sunrise as seen from the summit of Mount Rocciamelone (3,538 m - 11,608 ft), Susa valley, Italy.
The first warm rays of light are shyly painting the snowy peaks of the frontal mountain range, the Valnoise National Park.
Peace, silence and a gentle breeze all around.
I think this is one of the most significant moments that, until now, I've been able to capture on the mountains.
It does not have the "wow factor"... which in my opinion leaves you with the same rapidity which it appears... it's showing instead the simple amazing grace of events that are actually happening on daily basis... just too far from the eyes of most people...
A friend of mine once asked me a question: "What matters most: what surprises you or what touches your heart?"

Shot taken in front of the southern side of the world famous Vajolet Towers, South Tyrol Dolomites, one of my favorite places in the Alps, if not the absolute favorite.
The moment of the day is the transition between the blue hour and the night, basically when the stars are appearing in the sky, or, at least, when the camera begins to see the stars (under this aspect our cameras while working at high ISO are much more sensitive than the human eye).
In the upper right corner is visible the Andromeda Galaxy.
The towers benefit here of a light evidently still present in the atmosphere from the west, due to the sun below the horizon, a light that my eyes could no longer see.
I opted for a black and white just to make the most from this almost "otherworldly" atmosphere.

Night shot, long exposure, portraying the righteously world famous Swiss side of the Matterhorn mirroring in the calm waters of lake Stellisee (2.537 m).
I liked how the clouds - stretched due to their movements during the exposure - formed a sort of eye, within which lies the Matterhorn.
Actually, you can never exactly predict how the clouds will look like at the end of a long exposure, and this is certainly one of the most fascinating aspects of this photographic technique.

Self-timer shot, taken at sunset from the summit of Mount Rocciamelone (3.538 m), Italy.
Here you can see the sun caught in the exact moment before its final setting, behind the mountains of the Vanoise National Park, France... it just began to assume the contours of the distant ridges. At this point, generally, we only have one more exact minute before saying good bye to our star :-)
A huge bank of clouds and high mists, fluttering all around the summit, made ​​the landscape very ethereal, visionary, somehow constantly evolving in terms of lights and shapes... nothing is more fascinating of what we can barely glimpse.
This side of the Rocciamelone is exposed to the west, certainly the most austere and impracticable face, with 3.000 meters of ridges rushing down, till to the plain.
Nevertheless this spot was pretty safe, as I still had a rocky prominence under me.

A beautiful carpet of clouds was silently shrouding the world below… so, with my friend in the photo, I took all the time to admire it :-) simply following the trail near La Riposa (2,205 meters), Mount Rocciamelone, Italy.
Here the view point is exactly behind the sea of clouds. The whole scene is illuminated only by moonlight, while my dear friend holds the pose for 10 seconds, to avoid movements during the exposure.
Top left is clearly visible the constellation Scorpius, with the red supergiant Antares.

Rocca Bianca (3.021 m) and Mount Baueria (2.960 m) snorting through the clouds and mists of the high val Maira, Italy.
When mighty mountains can become almost... intangible.

Garstelet glacier (3,600 m), Monte Rosa massif

Autumn is not only a colorful season. It is also a season of sleep and death.
The purpose of this simple shot was to render that subtle sense of sadness, mixed with torpor, that well characterizes this season. Thanks to the pale colors of a day fading away and the branches almost yearning to the moon.

Val di Susa and Val Sangone observed from above the mists.
In the distance the easily recognizable pyramidal shape of Mount Viso (Italy).

A detail of Pointe Clairy (3.161 m), located in the Mont-Cenis area (France).
Nothing too fancy, but I've loved how the clouds were caressing the snowy ridges as well as the dialogue of colors & light that was emerging thanks to the light of sunset.

The Dents d'Ambin (3.372 m) photographed in the moonlight from the summit of Mount Malamot (2.917 m), France.
As in the "Flying Dutchman" a legendary ghost ship can never make port doomed to sail the oceans forever, also looking at the result of this long exposure taken at moonlight I couldn't help but to think of a mountain, destined to fly forever between oceans of clouds.
Besides, this particular mountain is well suited to the symbolic concept of damnation thanks to its peaks, fitted with "horns".
I think the black and white helps to emphasize the sense of drama.

This was taken watching upwards over my head, toward the roof of the woods.
It's just a intricate, harmonious, structure of branches in the fog.
A forest shrouded in mist always turns out in something impalpable, full of grace and elegance.
Thanks to the fog the play of light are accentuated, allowing to define a structure that looks almost like an embroidery, which, especially in black and white, brought to my mind the sinuous patterns of an arabesque or a mandala.

Autumn is primarily known and appreciated for the falling leaves and the ever changing colors of the trees... but there is another aspect that makes this season unique: the foggy and cloudy climate.
At high altitudes, where trees are just a memory, this climate is showing fascinating aspects... actually this is something that you either love it or hate it.
Anyhow, I guess it is rather difficult to remain indifferent to the vision of huge "monsters" proudly emerging among oceans of clouds and mists...
So, this is also a face of our beloved autumn, a cauldron of desolation and sadness... or, at least as I see it, of extreme beauty and strength, which recalls a primitive condition of the planet.
Shot taken in the Écrins National Park (France).