34 Award-Winning Photos From The 2026 Minimalist Photography Contest

These photos are from the series "The Last Winter," which I created this winter in my hometown of Rybnik, Poland. I shot them using a drone, and they capture the incredible forms nature has created on the frozen lakes. I realize that the winter I remember from childhood - frosty and white - is becoming less frequent. Snow in the city is becoming a fleeting, almost ephemeral phenomenon. So when the conditions finally allow, and I take flight, I feel like I'm documenting a vanishing beauty.

In the depths of a Suffolk marsh at night, a single ancient dead tree stands as a solitary sentinel against an infinite black sky. Using dramatic low-angle lighting, I carved rich golden highlights across its gnarled, twisted form, transforming decay into sculptural presence. The vast negative space and minimal palette strip the scene to its essential elements: light meeting wood, form emerging from darkness.
Through careful Capture One processing, I refined texture and chiaroscuro to reveal subtle knot formations that suggest watchful faces — an unintended pareidolia inviting quiet contemplation. The foreground reeds provide gentle grounding and scale without clutter.
This image explores themes of resilience, solitude, and endurance. In a world of constant noise, it celebrates what remains: quiet strength holding its own against emptiness. A meditation on the beauty found in simplicity and the enduring power of the natural world.

A sense of danger - the feeling of being exposed. The figure closes their eyes to heighten other senses. The canary references the classic trope of a coal miner's early-warning system for a dangerous, toxic environment.

The project explores how the transformation of a recognizable image gradually shifts our perception through light, shadow, and the geometry of line, revealing how unstable and subjective perception can be - shaped by experience, emotion, and perspective. As the recognizable portrait gradually transforms, personal perception begins to shape its meaning. What remains is an image continuously produced through the viewer’s act of seeing. In this sense, we never see the world directly—we always see it through our own prism, which shapes our perception.

The photos were printed and manually folded to create this transformation effect.

A small person, the right moment, the seclusion of the scene, and a clear visual language through minimalism and contrast are what make a street shot a well-thought-out photograph that captivates the viewer for me.

The artist reflects on humanity’s desire to escape Earth and imagine a better world somewhere beyond it. For her, the mind is “its own universe,” where we can create our own realities, fears, and hopes. Using simple materials such as paper, stones, and flour, she builds imaginary landscapes filled with planets and stars, exploring the connection between our personal worlds and the vast universe beyond us. The work also reminds us to stay present and “marvel at life,” even in difficult times.

This series explores Miami Beach's iconic lifeguard stands as sculptural objects suspended between architecture, color field, and memory. Isolated against pale sand and open sky, the structures become minimalist compositions of geometry and saturated pastel tones, evoking both nostalgia and surrealism.

Richard's calmerchroma series represents a shift from his black and white work to a world of vibrant colors, minimal shapes and shadows, and the interplay between color, form, and minimalism.

A minimalist black-and-white landscape captured during a journey through the Peruvian Andes. A delicate crescent moon hangs above Mount Salkantay, its glow mirrored in the mountain's bright, snow-covered ridge, which emerges from the shadows between the dark silhouettes of the foreground peaks. The contrast between light and darkness evoked in me a feeling of stillness, timeless grandeur, and humility.

This series explores the relationship between the human body and the invisible forces shaping natural structures.
On frozen lakes, organic patterns emerge from shifting temperatures, tension, and time.
The human figure is introduced not as a subject, but as a measure of scale and presence. Placed within these vast, fragile systems, it reveals a dialogue between control and surrender, order and randomness.
The work focuses on the space “in between” — where human perception encounters processes beyond its influence.

Tuscany - Val D'Orcia

The cypress, the symbol of Val D'Orcia. In groups, isolated, or in rows, their elegant silhouettes make the landscape unique. The cypresses represent immortality, and under their branches, time seems to have no end.

American architect John Hejduk designed Wall House #2 in Groningen. Although the design dates back to 1973, the building was not completed until 2001, posthumously.

It is the only one of a series of 24 designs that Hejduk conceived for his "Wall House" series to have been built anywhere in the world. Today, the Groninger Museum operates this unique architectural gem as a public space for art and architecture.

On the first day of meteorological spring, low mist blanketed the landscape. As the sun rose, it cast a long shadow behind this small group of trees atop this Bronze Age barrow.

The protagonists of the Venetian lagoon —briccole, wooden piles emerging from the water, guiding boats and structuring the space. Long-exposure photography emphasizes reduced forms, subtle tonal transitions, and the scene's stillness.

"Controlled silence" explores the quiet tension between human presence and industrial control. Monumental cooling towers dominate the landscape, while a small chapel introduces a fragile human reference point. Through reduction, shadow, and scale, the series transforms a real place into a psychological space through stillness, mass, and restraint.
The images move from overview toward increasing reduction, where structure slowly dissolves into pure relationships of form, silence, and presence.

The beautiful Étretat coast in France. A sudden heavy rain and a lone fishing boat sailing along the coast - all that was needed for this minimalist work.

GroundShapes is an ongoing series of diptychs by Teun Anders and Monique van Laake. Each pair sets a found landscape against a sculpted head, so that ground and face mirror each other in texture and tone. Two images meant to be read as one.

The photograph was captured in January 2026 in Slovenia.

The beautiful Étretat coast in France. A sudden heavy rain and a lone fishing boat sailing along the coast - all that was needed for this minimalist work.

This photo was taken in Hamm, June 2025. I caught this decisive moment of teenagers on the platform.