When I was in university, I had an acting teacher who drilled into us the importance of “Dukes of Hazzard Turns”. I know all of you pandas out there might not get the reference (don’t worry, I didn’t either at first), so I’ll explain what he meant by that. In the 80s sitcom The Dukes of Hazzard, there were many reckless driving scenes where the characters would take abrupt, sharp turns, so anyone watching could have never anticipated where the driver was heading. What my acting teacher wanted to see from us with “Dukes of Hazzard Turns” was sharp contrasts in our characters.
It’s exciting to watch people quickly change their tactics in pursuing their objectives; audiences eat it right up. So I can’t help but think of that acting professor when viewing the photos from the “Hol’up” subreddit. All of these posts definitely have “Dukes of Hazzard Turns” within them. Some of them are surprisingly wholesome, while others get dark very fast. But as readers, we love these sudden plot twists, and we can’t get enough of them.
It’s no secret that audiences love plot twists. We see them in films like Get Out, Gone Girl, Parasite, Scream and countless other classics. But what is it about these sudden turns that we can’t get enough of? According to Vera Tobin, a researcher at Case Western Reserve University, movies “exploit our natural tendency to anticipate what’s coming next.” So it can be extremely exciting when our expectations are proven wrong by a shocking plot twist and extremely disappointing when we somehow stumble upon a spoiler.
Tobin explains that we all want to have some idea of what we’re getting ourselves into when we read a book or watch a film, so we’re interested in knowing the genre. But the “curse of knowledge” comes into play when we’re worried about something being spoiled. “You only have one opportunity to learn something for the first time,” Tobin writes. “Once you’ve learned it, that knowledge affects what you notice, what you anticipate – and even the limits of your imagination.”
Tobin goes on to explain that plot twists can also do a great job of pulling everything together in a story. “A major part of the pleasure of plot twists, too, comes not from the shock of surprise, but from looking back at the early bits of the narrative in light of the twist,” she notes. “The most satisfying surprises get their power from giving us a fresh, better way of making sense of the material that came before. This is another opportunity for stories to turn the curse of knowledge to their advantage. Once we know the answer to a puzzle, its clues can seem more transparent than they really were. When we revisit early parts of the story in light of that knowledge, well-constructed clues take on new, satisfying significance.”
But the joy of being surprised doesn’t only come from plot twists in films and books. As this list makes very clear, we can have “Hol’up” moments in our daily lives at any moment, and our brains still love them, even when they’re not scripted. “It’s a strong neuro alert that tells us that something is important about this moment and we have to pay attention,” Tania Luna, the co-author of Surprise: Embrace the Unpredictable and Engineer the Unexpected, told The Takeaway, explaining the “surprise sequence”. “Our cognitive resources are basically hijacked and pulled into the moment. That’s one of the things that’s really uncomfortable for some people, but also exciting for some people because your attention is completely in the moment.”
And if you’re a person who considers a surprise party to be your worst nightmare, Luna says that it’s possible to become more open to the idea over time. “I think about surprise in two perspectives: Embracing it and engineering it,” she told The Takeaway. “You have to train your brain to be more comfortable accepting surprise, and by that I also mean surprise readiness—being comfortable with uncertainty, ambiguity and change. Especially these days, that’s an incredibly important skill.”
Even though she’s an expert on surprise now, Luna admits that she wasn’t always a fan. “I hated being surprised—I loved surprising others, but I hated being surprised myself,” she told The Takeaway. “[I hated] the feeling of loss of control and the feeling of vulnerability. As a kid, I had experienced a lot of change and my coping mechanism was to say, ‘I’m in charge. I control everything. Nobody controls me and I can control the world around me.’ I was protecting myself from negative surprises. But what I’ve learned is that I was also keeping out joy, wonder, and emotional intensity.”
