Witty comebacks can not be planned. They are made in the moment. In a heated argument, timing is everything and that means your answer must be as fast as the words that surprised you. But somewhat counterintuitively, the key to coming up with a winning retort is to hone your listening skills.
According to Abigail Paul, the artistic director at the Theatre Language Studio (TLS) in Frankfurt, people think faster than others speak, giving the listener "extra time" to compose an answer, even while they give the appearance of still listening to what the other person is saying.
Consider this: how many times have you been on a conference call and already had an idea to share, an answer to a question or a solution to a problem before the person on the line has even finished his sentence? The same listening skills and thought processes apply when a conversation turns sour and you need to defend yourself.
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The question is how to refocus that extra time you have while you're listening.
"Most of us don't listen to the whole message, we are just waiting to make our own points. There is no magic bullet to getting better at listening besides practice," Paul, who teaches improvisation theatre techniques, told the BBC.
One strategy to perfect your listening skills is through a simple game of one-word volleyball, where two people build a story by rapidly taking turns to add a word to what the other said immediately before. The game forces you to listen actively and respond spontaneously.
"The goal is that we let go of our own ego and our own ideas because a huge part of listening is that you really have to be willing to be changed by what's being said," Paul explained.
In the case of snide remarks, if you know your colleague has a tendency to make them, train your brain to listen to his or her words carefully and be prepared to quickly defuse the situation. "You take away the control factor," she said.
If a colleague tells you, "Oh that’s real smart," Paul says she might try responding with this: "Thanks. I don't always receive praise for my intelligence."
Or "That’s the best you can do?" But you can also try: "I'm afraid so. Where do we go from here?"
Another idea is to try and forget your pride and raise the status of the other person. "Status" used in this sense comes from the rules of improvisation theatre, where you have to make your stage partner look good.
Let's say a manager or colleague takes a swipe at you repeatedly. Paul suggests the "status move," which is best conveyed in tone of voice.
