According to photographer Dominic, timing is a "valued asset and skill" to some degree in the hierarchy of all the things important to a photographer. But it might not be the main thing, depending on the style of photography. "Planning out a shot or scene (depending on your style) takes time and planning. Composition is probably the most important in my mind though. One doesn't have to necessarily follow the rules of composition, but how a photo is laid out is going to make or break a photo. Some of the best photos in the world don't necessarily follow the rules of composition because their layout is made that much better by breaking them in a way that challenges the norm," he explained.
Dominic stressed that the style of photography we prefer to shoot will determine just how important timing is to us. "In sports photography, it's the timing of the shutter being clicked to capture that perfect moment. In landscape photography, more times than not, a photographer has planned an exact time to be at a specific location. In nature photography, it's a bit of both, as well as a bit of luck thrown into that one to see that special animal you're looking for."
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"Timing means something different to everyone, but it is of utmost importance at the end of the day. Some will say it's luck, some will say it's skill, but at the end of the day, I truly believe it is a bit of both combined with experience and the ability to learn from your previous work," the photographer told Bored Panda.
According to Dominic, if you ever find yourself constantly missing out on taking the perfect comic snaps, you have to keep trying until you improve, just like with any other skill. "Unless you know a hilarious moment is coming by recognizing that it's about to happen, is that it's a matter of just trying. Keep trying and it'll pay off eventually. Maybe not as fast as you would like it to, but like anything, if you work at it enough, it will come to you in time." So grab that camera or phone and keep at it, Pandas.
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“We work in unison with movement as though it were a presentiment on the way in which life itself unfolds. But inside movement there is one moment at which the elements in motion are in balance. Photography must seize upon this moment and hold immobile the equilibrium of it,” Cartier-Bresson wrote in the preface of his photobook, ‘The Decisive Moment.’
For him, a meaningful photograph lies at the intersection of deliberate composition and instinctively feeling when we should take the picture.
“Sometimes it happens that you stall, delay, wait for something to happen. Sometimes you have the feeling that here are all the makings of a picture—except for just one thing that seems to be missing. But what one thing? Perhaps someone suddenly walks into your range of view. You follow his progress through the viewfinder. You wait and wait, and then finally you press the button—and you depart with the feeling (though you don’t know why) that you’ve really got something. Later, to substantiate this, you can take a print of this picture, trace it on the geometric figures which come up under analysis, and you’ll observe that, if the shutter was released at the decisive moment, you have instinctively fixed a geometric pattern without which the photograph would have been both formless and lifeless,” writes photography grandmaster Cartier-Bresson.
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Taking grandmaster photographer Cartier-Bresson's words to heart, we can see that what makes a hilarious photo, well, hilarious, is a mix between skill and luck. The photographer might not be controlling the outcome or all of the circumstances, but they’re consistently out in the field, using their reflexes and listening to their instincts that conspire to make them take the photo at the right moment. Right when things are most decisive and powerful.
Just like in photography, timing means a lot in comedy as well. Just imagine blurting out the punchline to a joke before your audience even had time to absorb the wind-up. Or the opposite: revealing the punchline once all the tension and anticipation has already evaporated.
The same applies to comic photos. A second too early or too late and the humor is gone or the entire tone of the image shifts.
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