168 Of The Most Famous Paintings In Art History

 

Las Meninas has captivated art lovers for more than 350 years. King Philip IV of Spain's court is vividly depicted in this intricate oil painting by Diego Velázquez. This masterwork from 1656, arguably one of the most significant paintings in the entire history of Western art, still impacts artists today. As the title translates, Ladies in Waiting is a turning point in art history for Velázquez's departure from the stiff, formal portraits that typically denoted royalty. The king's daughter, Infanta Margaret Theresa, is depicted on the enormous canvas surrounded by her entourage as Velázquez works behind an easel.

 

Lady Agnew (born Gertrude Vernon) is the subject of this painting, which was ordered by her husband, the Scottish barrister Sir Andrew Noel Agnew. The lady establishes a strong rapport with the observer through her direct stare and informal stance. Her exquisite white gown with lilac accent blends well with the vibrant, patterned upholstery of the Chinese silk wall hanging from the eighteenth century and the French chairs. Sargent’s smooth brushstrokes exude an air of luxury and comfort. The artist said he sometimes got his best results only after a few sittings. He finished the Portrait Of Lady Agnew Of Lochnaw in six sessions. The work’s exhibition at the Royal Academy in London in 1893 helped establish Lady Agnew as a society hostess and the Sargent’s portrait painter status.

 

In The Swing, we can see a young woman fly through the air inside a lovely garden wearing a voluminous pink dress. Her suspension above the ground is made possible by a swing made of a seat cushioned in red velvet and two ropes fastened to the knobby branches of a huge tree. An older man sitting on a stone bench on the far right assists in operating the apparatus. He pulls the swing back to provide the woman the momentum she needs to move forward using a network of interconnected ropes. A young man, positioned at the bottom of the large pedestal, stares at the swinging woman's open skirt.

 

The Mona Lisa of our time, Munch's The Scream, is a classic work of modern art. Munch captured the anxiety-ridden, unsettling nature of the modern era, much as Leonardo da Vinci did while evoking the Renaissance ideal of calm and restraint. It's acknowledged that The Scream was inspired by an actual past event from Munch's life. Apparently, he created The Scream as a response to the horror and dread he experienced one day while out for a stroll with two friends. The peaceful environment he had planned to venture into was abruptly disturbed by changes in the sky brought on by the setting sun. Since, Munch's The Scream has become a universal, timeless picture and symbol of the human condition and alienation.

 

John Singer Sargent was the most famous portrait painter of his time, also hailed as the "leading portrait painter of his generation." In 1874 he went to Paris to study painting. Ten years later, in 1884, at the Paris Salon, Sargent debuted arguably one of his best-known paintings, Portrait Of Madame X, which portrays a Parisian beauty named Madame Gautreau. Sargent thought it was his best work and was unpleasantly startled when it sparked a stir because reviewers thought it was eccentric and provocative. After failing in Paris, Sargent relocated permanently to London. His art didn't instantly appeal to the English taste. However, it all changed in 1887. That year, his painting of two little girls lighting Japanese lanterns won the British public's hearts. He started to receive extraordinary acclaim in England and the United States. Clients flocked to his studio in Chelsea, where he charged around $5,000 for a full-length portrait. However, despite it bringing him a bunch of money, in 1907, Sargent gave up on painting portraits on commission. He referred to the genre that had made him famous in his letter to his lifelong friend Ralph Curtis as "paughtraits," using his unique and satirical spelling. "I abhor and abjure them and hope never to do another, especially of the Upper Classes."

Parisian audiences used to the formal, academic style were thrilled by the painting's finely detailed surface, exacting perspective, and expansive size. A more radical sensibility was sparked by its asymmetrical composition, irregularly cut shapes, rain-washed tone, and truly modern theme.

 

The crux of the painting shows an unrestrained, wildly imaginative romp. However, Bosch’s main point - and the elaborate, cunning symbolism that drives it - is unquestionably more complicated. A lot is going on, and multiple sittings at the painting may not be enough to analyze the whole picture. It’s replete with sin, punishment, and hell themes. Few pieces of art better capture the crazed thrill and bizarreness of lust than Hieronymus Bosch’s The Garden of Earthly Delights. A cluster of naked people can be seen in one place, intertwining and devouring a giant, juicy strawberry. Others sway rapturously from something resembling clumsy reproductive organs and seed pods about to explode. Fruits are picked, clear blue water flows directly into the mouth, open clam shells and plump nectarines are strewn about. More than 500 years later, it’s hard to distinguish a single message left by the author. Some people thought it was about how mankind fell into sin and lust, ultimately meeting their own demise in hell. Some believe it was painted with moralistic and religious motives. Whatever the reason, Hieronymus Bosch’s triptych, known to modern audiences as The Garden of Earthly Delights, and arguably his most puzzling work, gives a graphic portrayal of the anxieties that characterized medieval life.