Anna Isabella Christensen has been taking self-portraits in nature for 4 years now. In an age when it feels like humanity is moving away from nature, she aims to highlight the harmonious relationship between human beings and nature through her photography.
“The Eruption Series is a continuation of my self-portrait project, but it has a different meaning to me,” elaborated Anna about her unique project. “My previous work is all about harmony and this series symbolizes rebirth and letting go of the old. My whole experience with the eruption felt like the beginning of a new chapter in my life.”
She continued: “Taking this series started with trial and error for me. It took me a few times to understand what kind of photos I wanted from this eruption and what I wanted them to symbolize. Once that was clear, it was very easy for me to come up with ideas and compositions for my photo shoots. Most of the time, I did it spontaneously after arriving at the volcano, depending on the conditions and on how the eruption site looked that night.”
For the Eruption Series, Anna took her camera to Fagradalsfjall. Believe it or not, she hiked there a total of 25 times, each time having to go through her regular self-portrait routine.
“The hike took around 1 hour one way, but it depended on the route. Setting up was quite easy when I was shooting during blue hour or at sunrise as I could see what I was doing. Once I had a composition in mind, it would only take me around 15 minutes.”
However, if it was dark, that posed a challenge as it would sometimes take up to an hour to get it all set up, figure out the positions, locations and orientations of the camera and a lot of test shots. All the while, in situations where she was already dressed up, she would also have to deal with the piercing cold.
“The amount of shots I need to take during one photo shoot varies greatly. Sometimes I can take just 5 photos and if I can see that I definitely got the shot, then the photo shoot is over. Sometimes I need to take up to 50 shots in order to get it right,” explained Anna.
Of the 25 times she went to the eruption site, Anna says that around half of them were times when she came back “empty-handed.” The reasons behind them varied from extreme weather (snow storms and strong winds) to technical issues (getting the focus right and not overexposing the lava) to simply not being happy with the end results.
And this was besides all of the challenges she had to face while shooting: “Besides the cold, wind and technical issues, another challenge was spending my nights at the eruption site and trying to sleep during the day instead. This was something that I couldn’t avoid, as thousands of people hiked to the eruption site every day and I wouldn’t be able to take photos with the compositions that I wanted without other people in my frame during the day. The quietest time was from 2AM to 5AM and I made sure to be there during those hours every time when the weather forecast looked decent.”
For everyone wondering about safety, Anna did note that the eruption site was officially open to the public as it was deemed safe by Icelandic authorities. Besides, all of the photos taken were done so at a safe distance and she also made sure to measure gas levels and consider wind direction so as to not pose a risk to her health.
“In some of the photos, it looks like I’m standing close to the molten lava—it was never the case. In those photos, I was standing on top of a hill high above the molten lava,” explained Anna.
