Here's The 70-Year Evolution Of The IKEA Living Room, From The '50s To '20s By Household Quotes

Over many years, IKEA have become associated with quality, minimalism and affordable prices. Though the company always tried to uphold similar values, the world's largest furniture retailer had to undergo some changes in production through the decades, and had to adjust to the fads and trends of many eras. As eras passed, IKEA remained, and they've evolved into what we recognize them for nowadays.

Household Quotes were interested in seeing the evolution of IKEA furniture designs over the decades, so they hired digital artists to try and make compelling visualizations of IKEA furniture throughout those years. And so they did: below you'll see the 70-year evolution of IKEA living room design, from the '50s to the '20s, and believe me, it's an interesting and engaging history lesson.

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"The first IKEA store opened in 1958, but it started as a mail-order concern. Customers would send off a completed coupon from their IKEA catalogues – which was mostly written by the company’s founder, Ingvar Kamprad. The centrepiece of our 1950s lounge is a 'beautiful elm' UTÖ table that seems purpose-built to store incoming catalogues and lifestyle magazines.

But that PALETT lamp is a low-key talking-point, too. Available in ox-blood, bright blue, pigeon grey, or plain-old black, the PALETT’s palette illustrates the story-telling capacity of IKEA’s products. 'Nowhere else would you be able to find such a stable and beautiful lamp at such an outstanding price,' yells the brochure in true 1950s salesman parlance."

"Into the Mad Men era, and furniture stood up on its legs to allow the Hoover-buying public to reach every last ball of floor fluff. That RIO coffee table is very much for company rather than catalogues. The plastic-treated teak circle-top allows guests more leg room (we’re told), following the design by Arne Wahl Iversen, a young Danish designer who specialized in what we might call 'office casual.'

You’ll also note the atom-age spin of the helixed wallpaper and circular GYLLEN rug. But the science isn’t so hard: the 'soft and snug' GYLLEN has 'long fringes,' its 'delicious colour scale' created with high-quality dye for a 'lasting lustre.'"

"Say what you will about 1970s style, but no other decade was bold enough to give us the IMPALA sofa. Believe it or not, the IMPALA’s designer was the same man who created the BILLY bookcase: Gillis Lundgren, who joined IKEA as its fourth employee in 1953. Lundgren was also the same young man who unscrewed that historic LOVET table, bringing flatpack furniture into the mainstream. (The coffee table pictured here is the fibreglass/polyester CENTRUM 50).

That AMARANT standing lamp is also a bit saucy, and decidedly 1970s. A nickel-plated stem, crowned with white or orange acrylic plastic, it offers a pull switch and the lamp can be taken apart and reconstructed as a table lamp if preferred."

"Yes, that’s a BILLY – 'Sweden’s most-purchased bookcase' according to the catalogue. In 1986, young William Bookcase was available with an oak veneer or nut-brown glaze, with five design alternatives. Having debuted in 1979, by the time of its 30th anniversary the BILLY would be produced at a rate of 15 bookcases per minute, and the 41 million units sold would have formed a wall 70,000 kilometres long.

However, the BILLY also marked the ushering in of a more conservative period in IKEA design. Our 1980s IKEA living room is something of a nightmare flashback: the bland HEDE armchair and YSTAD sofa fading into the background next to the faintly more risky rattan VIBY side table."

"Nobody knew what they were doing in the 1990s, style-wise. But IKEA’s latest lines were at least comfortable and practical. Who hasn’t got lost on a TULKA sofa? (Smelling like three decades of dog at the moment of writing.) The steel and leather MULLSJO was a bolder (failed) style experiment, but no less comfy.

The RÄCKE picture frame is recent enough and gaudy enough to be a thrift store regular in the 2020s. It was available in black or white lacquered metal with a glass front. But the real 'take-home' from our 1990s IKEA lounge is the AKROBAT storage unit, which paired a sense of mid-century style with a chipboard skeleton that wasn’t breaking any backs."

"The design world got back on its feet for the turn of the 21st century. Noboru Nakamura’s revived 1976 POÄNG cantilever armchair offered a fine set of bare bones around which home-makers could drape a range of fabrics and cushions. 'A chair shouldn’t be a tool that binds and holds the sitter,' said Nakamura. 'It should rather be a tool that provides us with an emotional richness and creates an image where we let off stress or frustration.'

The double-pronged DIPODI lamp is more divisive. Bold and practical, or an uninspired misstep? And the ENERYDA table is definitely built for comfort, not speed: so strong and clunky you could even take it apart and rebuild your kitchen with it."

"Now a vastly international concern, IKEA returned to its Swedish roots with the 2014 STOCKHOLM sofa. Three back cushions and just two bum cushions to share make it a distinctly socialist affair. 'The full-grain leather becomes softer,' promises the catalogue, 'and acquires a darker tone in time.' This was IKEA’s first STOCKHOLM range in nearly a decade.
That gorgeous wool rug is also from the STOCKHOLM collection, which is curated around IKEA's higher quality wares. The smooth-woven little number was 'hand-woven by skilled craftsmen and fits perfectly into a day-room or under the dining table.'"

"Now it is the future. Clutter is outlawed. Sustainability is sexy. But the ghost of that 1950s salesman remains: the NOLMYRA armchair is 'layered glued bentwood and is comfortable even for your wallet,' according to the Swedish brochure.

The BRÖNDEN rug is fast becoming a modern classic, and is marketed on the ethics of its supply chain. And Johan Kroon’s VITTSJÖ table has a timeless geometric feel that wouldn’t be out of place on a Stanley Kubrick space station. 'I chose materials that really bring out books, vases and other favourite things,' says Kroon. 'The straight, simple lines of the metal give the furniture a graphic expression and put an attractive frame around all your personal things.'"