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Writer and editor Doug believes that our love of horror and spooky stories is linked to our desire to find out more about the world around us, what's hiding just beyond our sense. "So much of horror and speculative fiction grapples with death and what happens after we die that I can't help but believe much of our interest in such stories is an expression of a longing for experiences and existences beyond our perceptions," he told Bored Panda.
Doug was kind enough to share what it is that separates merely passable horror stories and the truly great ones. The ones that stick in our minds for years to come (and sometimes keep us awake at night, scared to even get out of bed).
"Great horror stories thread a precarious needle: They maintain a sense of the truly inexplicable while creating a world and a narrative that provides enough answers to ground the story. Over-explanation kills most horror, which is why the shark is scariest when you only see the fin; the alien is most terrifying when it's lurking in the shadows; the killer is most monstrous when he's masked," Doug told Bored Panda that horror needs to be subtle. The monster that we know, the one can see is the monster that we can think about rationally. And that's far less frightening than the unknown, creeping, crawling in the dark.
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I was curious to get Doug's opinion about learning to separate what scary online stories are true and which ones are embellished (or even outright made up) for entertainment purposes alone. However, Doug believes that this might not be the right way to look at things. Instead, it's best to enjoy the stories in full, whether they're fact or fiction. A great story is great, regardless if it's based on true events or sprung up from someone's imagination.
"My professional expertise is limited to fiction, but I'll say this: I've seen enough real magic and wonder in the world to make me think twice about whether the supernatural is real—and I think that's a healthy thing. It's perhaps less important to believe any given tale than it is to remain open to experiences while leaving room in your head and in your heart for belief."
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It’s not surprising that scary stories, mysterious happenings, and tales about the dark underbelly of the human condition fascinate us, whether they’re fact or fiction. According to psychologist and well-being consultant Lee Chambers, from the UK, there might be an evolutionary explanation for this.
"When considering why the darker side of humanity and entertainment are so compelling, we have to first look at our evolutionary journey as human beings. For the majority of our existence, we were prey and always hyperaware of threats to our safety, which created a negativity bias that we are drawn towards," the mental health expert went into detail with Bored Panda about why we find real horror stories, like true crime dramas, so compelling.
"In today's safe and often sanitized world, we are rarely threatened significantly, and the ability to explore evil, frightening and gruesome entertainment is one of the few ways we can visit this part of humanity while remaining safe and comfortable. There is a level of novelty to it, it removes boredom quickly, and it helps us to discover our emotional limits while understanding the minds of those who go beyond social norms and potentially gaining knowledge of how we might avoid being victims ourselves. They also offer closure, with many stories ending with the mystery being solved, and the criminal being brought to a level of justice," the psychologist told Bored Panda.
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Psychologist Lee explained that seeing evil things portrayed on screen and the fact that they’re happening to someone else, not us, can even have a bit of a “comforting element” to it.
“It can take us on an emotional rollercoaster, have us trying to solve the puzzle and test our fear in a controlled way. The permission to explore evil is powerful, as we so rarely get the chance elsewhere, and in itself, it is healthy and normal in moderation," he noted how people can use these stories to explore the boundaries of their fear.
However, like with most things in life, too much can’t be good for you. "The challenge we face is the fact that consuming too much of this can desensitize us, and cause us to become less empathetic to the suffering of others, more fearful of our own environment, and potentially be more likely to use aggression ourselves. It can also cause us to be triggered by our own previous adverse experiences, make it harder to manage our own emotional balance, and increase our stress levels, so moderating our consumption is something we should have front of mind, even when we get embroiled in the latest series that is pulling us in.”
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Psychologist Lee told Bored Panda that modern TV has “a range of psychological hooks” built into it to keep us glued to the screen. Things like cliffhangers at the end of an episode or the autoplay function to seamlessly move from one episode to the next create the conditions that make us want to consume more content. Or rather, they make it easier to do so.
"Watching the latest shows isn't a bad thing, entertainment can be a great way to relax, often starts great conversations and helps us to explore ourselves in the context of others. It is worth remembering that some TV as an addition to a modern well-lived life is a net positive, but as soon as it starts to invade your sleep, impact what you eat, and how much you move your body, it starts subtracting from the fundamentals that keep us in an optimal place as human beings," Lee said that we have to be mindful of how much time we spend in front of the screen, no matter how engaging the stories we see there might be.
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"If you notice yourself starting to delay your sleep, take shortcuts socializing, eating, or keeping fit to keep your TV company, or feel like it's in control of you, it's time to take a step back and build a routine that you can control while still enjoying your favorite shows in moderation. It can even be a lot of fun to take it more slowly and build up excitement and anticipation for the next episode!" Of course, this advice fits our love of all types of media and activities, not just TV. No matter how much you love scary stories and entertainment, don't forget to live your best lives to the fullest, Pandas.
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We get into the house and it's an old place, really creaky and already kind of... off, I guess. N shows us where the cat's food dish is and she asks A to get the food from the other room. N then asks me to find the cat. I go off, looking around the house for this cat. I'm not exactly a cat person, so I really wasn't looking so much for the cat but looking around the place. There's all the things you'd expect in an elderly lady's house, knitting stuff, old pictures, paintings, etc. Nothing really that out of the ordinary.
By this time A had gotten the cat food and the two of them were waiting for me to come back with the cat. The lady had given us specific instructions about feeding the cat, making sure it was there and stuff. I go back to the kitchen where the food dishes were and tell them that I've checked the entire first floor and upstairs, but I can't find the cat. A then asks if I've checked the basement, to which I say no. N leads us over to the basement, opens the door and turns on the light. It already looked sketchy as hell, and I wasn't gonna go down there. I say this, and N agrees. A shrugs her shoulders and starts going down the stairs. This is when s**t goes down.
To the day, N and I swear we saw the same thing. People have tried to convince me it must have been something else, but I know what I saw.
A's walking down the stairs and this lady appears in the doorway N and I are standing in. She's dressed in a long white dress and is extremely pale, and she seems to have this glow around her. She takes a step down towards A and looks back up at N and I. She brings her finger up to her lips like she's telling us to be quiet, then turns around and pushes A down the stairs. Hard. A goes flying down the stairs, screaming. N and I are frozen in place, chills going through our body. A lands at the bottom and turns around and sees the lady. The lady smiles and walks past N and I and disappears. A gets up slowly, clearly in pain. She gets up and turns around, asking if she has any bruises on her back.
There were two dark handprints on her back.
N and I nodded our heads and said we'd show her after we got the hell out of there. We decided f**k the cat, we're not coming in this god damn house ever again.
To this day I have no explanation for that. N and I swear we saw the same thing.
TL;DR- Taking care of an elderly lady's cat leads to a friend being pushed down the basement stairs by a ghost lady.
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