“Humans are inherently morbid, whether they like to admit it or not,” Lauren McMenemy, a professional writer, journalist, and experienced writing mentor and coach told Bored Panda. “We are fascinated by death - by avoiding it, by cheating it, by embracing it, by understanding what comes next.”
“And I think the last bit is really why we love the creepy stuff; ghosts and skeletons and vampires and other creepy things help us to explore what comes after death. As for mysteries, well, who doesn't love a good mystery! As well as being morbid, we are also inherently curious creatures,” McMenemy explained.
McMenemy argues that it's what marks out humans and has helped us to grow and develop over generations and millennia. “We want to figure out the things we don't understand, and when we can't figure them out then some of us become obsessed by them.” McMenemy still remembers her own childhood obsession with the Bermuda Triangle, and who didn’t have one!
When asked whether horror as a genre is becoming more popular lately, McMenemy said that it definitely feels like it. “A large part of that is down to social media and the growth of self-publishing. The 'establishment' publishing houses still don't seem to like much in the way of horror - though serial killer fiction used to be considered horror, once upon a time! - but there is a huge online horror community, and they love to share discoveries,” the writer explained.
Moreover, “Self-publishing has made it easier for people to share their own stories, too. And then we have the visual medium, and streaming services making access to horror much easier. I think the appetite has always been there, but it's just easier to get hold of that ‘fix,’” McMenemy explained.
We were also eager to find out what makes a book or a film particularly creepy. The academic answer to what makes things creepy, McMenemy argues, lies in the concept of the "uncanny", or the psychological experience of something as mysterious and creepy in a strangely familiar way.
“It's the strangeness of the ordinary, the field where we are unable to distinguish between pleasure and displeasure and so we become anxious. Creepiness is about the uncertainty of a threat; you think there's something to worry about, but the signals aren't clear enough to send you into action,” the writer told us.
Meanwhile, “in books and film, this often takes the form of things just outside of our vision, or of familiar signals such as old and dilapidated houses, cobwebs, the unkempt and unloved. It results in that tingling down your spine, the goosebumps on your arms - you can't quite figure out what's going on, but you are intrigued…” McMenemy concluded.
