50 Times People Captured Perfect Street Scenes And Had To Share It In This Online Group

James Maher is a New York-based art and documentary photographer, historian, guide, writer, and educator who dabbles in studio photography. James has 20 years of experience behind the camera and agreed to share some of his expertise in street photography with us.

As a genre, street photography is full of contradictions. "[It's] both a massively accessible and extremely difficult genre," James explains. "It mixes documentary and poetry, searching your surroundings while looking for moments and ideas that pertain to you."'

"The best street photographers bleed their personalities into their photographs over the long run," James adds. "It may seem like a genre of disparate images, and it often is when photographers first start out, but over time the work congeals to have cohesive meaning."

James says that shooting streets involves some of the things that benefit our mental well-being. "It's healthy, physically and mentally, walking to escape the stresses of life and actively looking and thinking is a wonderful mental exercise," he says. "Over time, you start to recognize yourself in your photos."

He says that the photographer's emotions often can be visible in the photos they take. "When I'm feeling anxious, I capture more anxious photos," he admits. "When I'm happy, my photos are happier. It is a flexible genre that allows you to ultimately take it in any direction you want."

Street photography is also relatively easily accessible. "You can do it while you travel looking for spectacular moments or stick to photographing while walking around your block hundreds of times looking for interesting moments in the mundane," James says. He alters his shooting style depending on where he is. He says he'd do more candid photographs than portraits in a busy city.

"People are used to photographers, but I will use a small camera and prime lens so I am fast and light, and make it look like I am not noticing my subjects," James tells Bored Panda. "Instead, [I look] above or behind them as if I am looking at the background (which I am also doing)."

James has more tips to seem incognito while shooting on the street. "When I capture a photograph, I often don't take the camera away from my eye, which can tip the person off that I took their photo. Instead, he moves the camera away from them or lets them walk through as if they were in his way. "I like to stand on street corners to allow people to enter my personal space," he adds.

If people do notice, James doesn't hide or deny it. "I smile, tell them what I'm doing, and if ever anyone is uncomfortable, I offer to send them the photo or delete it if they would like. And, most importantly, I walk slowly, allowing things to develop around me. It's important to walk slow," he shares his tips.