Bored Panda reached out to Will Santinos with some questions! First, we asked the artist if he had any major influences in his life that might've helped him to develop and refine his style.
"Growing up, I was very influenced by books like Martin Handford’s Where’s Waldo, and comics like Calvin and Hobbes and Little Nemo in Slumberland. Also the covers of the fantasy novels I read, like Brian Jacques’ Redwall series. I love the illustrations of James Gurney and Shaun Tan, and historical artists like M. C. Escher and Hieronymous Bosch have been influential as well. Most of these influences can be seen in my illustrations rather than my cartoons, though."
Art, in any kind of form, takes a lot of time not only to practice but also to produce, therefore we asked Will about how long it takes him to fully finish his comics.
"After I have the idea, it only takes about 45 minutes to draw a finished cartoon, granted I don’t check social media every ten minutes."
Being an artist is not easy, one can easily encounter a lack of inspiration, burnout, etc, so we wanted to ask Santinos about his ideas for the comics.
"In order to have output, I need input. I read a lot of fiction and I love learning about new things, so I end up on Wikipedia a lot. I love mythology, and history, and fables, and art, and language. I love to learn, so my silly ideas are often the byproduct of my curiosity. More specifically, I drink coffee and doodle in a sketchbook."
As we mentioned before, sometimes creative work can cause quite a burnout, therefore we asked the artist how he dealt with that as well.
"Yes, but not when it’s my own work. I worked for an animation studio for a number of years, creating pretty corporate material, and I found it hard to maintain my interest and enthusiasm. I left that job recently and now I work for myself full time by having a Patreon!
I was the kid who didn’t do homework because I was making maps in the backyard. Work that’s about things I find boring feels like homework. Creative work about the things I love feels like making maps of imaginary worlds—I mean, sometimes I literally do that too."
We also asked Will about how people usually react to his work.
"Usually when I show somebody one of my cartoons they respond, 'Sir, this is a Wendy’s.' Okay, joking aside, people tend to be beguiled with my whimsical illustrations and fantastical illustration, and want to know more about the worlds in my art. When people see my cartoons, the best I can hope for is a guffaw or a rueful grin or a cry of existential despair."
We also asked Will about how his Instagram account for art came to be.
"Well, it’s basically required to maintain an online presence in the dystopian panopticon of late-stage surveillance capitalism that we now exist within, but I like to tell myself that art is meant to be shared. Stories are meant to be told. Definitely something wise and profound and not related at all to a societal dopamine addiction."
Digital art and art, in general, is not easy and requires a lot of patience, time, resources, and in most cases, even money. Therefore, we wanted to know how the talented artist started his own career in digital art.
"I actually always planned on being a novelist, but the doodles eventually usurped the page. I worked in pen and ink and watercolor and acrylic paint way before I started drawing digitally. I actually didn’t draw on a tablet until I got a job at a whiteboard animation studio in 2013."
Artist also shared with us some changes about his life, "I support myself with my Patreon. I draw six new cartoons every week and submit them to The New Yorker, then share the unaccepted ones (usually all of them) with my patrons on my Patreon.I left my job in August to be a full-time artist. It’s going well so far! I would appreciate it if you would include a link to my Patreon on the web page!"
