Basically I planned this project to a spatial representation including a very special aspect of these forms in which I am very interested. We can easily generalize this topic, many ofthe representations like this are based on a 3D object – even if it is fictitious or a real one – and they are not trying to be more. (There is maximum one exception: the applied building-photograph) However by this topic the starting point was a 2D plane, or rather a plane in a plane phenomenon. And here we maximized the field of the spatial representation and it has been replaced by a social phenomenon.
These are the pothole-sand the solution of these problems. Nowadays certain roads are dotted with these so called grave plots, and they turned into surfaces like a Tetris-table. And here is the photo-graphical importance of this topic. I know what the rest of people think about it. “This subject is easy. We can find thousands of these plots countrywide.”
I don’t want to take issue with this fact, but we face a composition failing: rest of the plots are repeated and they are not so regular. Therefore we cannot neither compose nor light and present so easily because after the 5-6. picture topic won’t be too exciting visually. After certain amount of photos it will be like a schema instead of focusing on the space.
There are still some significant questions: Which processes are going on in the head of a simple worker? Does he consider any compositional rules or the connection of the plot and its surrounding, or the influence on each other?
On my ways I've always tried to find the most regular and interesting forms, and I hope that I found some rules in the desultoriness, even if it’s not so significant.
On my ways I've always tried to find the most regular and interesting forms, and I hope that I found some rules in the desultoriness, even if it’s not so significant.
