Back in 2016, my wife, daughter, and I were vacationing in Los Angeles. Like many tourists, we were excited to see the Hollywood Walk of Fame. While we were wandering the boulevard, we stumbled across a couple of wax museums. They were eager to go in. Me? Not so much.
As a street and landscape photographer, wax figures just didn’t appeal to me. I was more interested in capturing the actual people outside—the tourists taking selfies, the street performers, the weird little moments that make cities pulse. But after some convincing (pestering), I agreed to go in.
My attitude shifted immediately. I noticed how strange and fascinating the lighting was. The stillness of the figures. The eerie way they mimicked life. I ended up photographing almost every figure in the place—and loving it. I was so into it, my wife and daughter finished the museum and waited for nearly an hour before they had to drag me out.
Since then, wax museums have become a must-do on our travels—not for them, but for me. It turns out, photographing wax figures is the perfect collision of illusion and reality. And photography? Well, it’s always been about that.
More info: tompattonphotography.com
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